2023 - Interval, Amatoria Fine Art Books, Sacramento, CA
2020 - Slice, Pence Gallery, Davis, CA
2019 - Photo Book Exhibition, Los Angeles Center of Photography, Los Angeles, CA
2018 - An Exhibition to Honor Oliver Lee Jackson, E Street Gallery, Sacramento, CA
2017 - Theater of Memory, Theater of Prophecy, Feral Factory Ltd., Denver, CO
2013 - Recent Work, Revolution, Sacramento, CA
2011 - Urban View/Rural Site, MPLS Photo Center, Minneapolis, MN
2010 - Daydream Nation, Philadelphia Photo Arts Center, Philadelphia, PA
2010 - Focal Resolution, Climate Gallery, New York, NY
2007 - Among Us & Curious, New Space Center for Photography, Portland, OR
2003 - time/light/air, Church at the Center, Seattle, WA
2001 - Current Works, Society for Contemporary Photography, Kansas City, MO
2000 - Knowable Objects, Korean Cultural Center, Los Angeles, CA
1999 - Shadow Belongs to Light, Fotocircle Gallery, Seattle, WA
1999 - A Vision Honored, Photographic Center Northwest, Seattle, WA
1996 - Prints, J. Maddux Parker Gallery, Sacramento, CA
1996 - The Altered Landscape, American River College Art Gallery, Sacramento, CA
1995 - Photographs, J. Maddux Parker Gallery, Sacramento, CA
1993 - Selections, Eye Gallery, San Francisco, CA
1993 - New American Talent, Laguna Gloria Art Museum, Austin, TX
1992 - Crocker-Kingsley, Crocker Art Museum, Sacramento, CA
1991 - Small Works, 80WSE, New York University, New York, NY
City of Seattle Portable Works Collection, Seattle, WA
Swedish Medical Center, Seattle, WA
Sacramento Public Library, Sacramento, CA
1994 - MA, California State University, Sacramento
1990 - BA, California State University, Sacramento
E23 Editions
My approach is to look slowly, mostly at the landscape, often over time, always nearby.
I search for a quality of composition and light that somehow creates a bridge between abstraction and the actual.
This quality is ever present in my mind, but elusive. Something happens to the commonplace when found.
If successful, I hope my photographs can be seen as both mysterious and intimate.
I make analog black and white contact prints with an 8x10 inch view camera, hand printed in a traditional darkroom.
A print is final only when my relationship with it is without conflict. This often takes years.